February 16, 2013

CONSOLATION: a dance drama for artists who want to serve their church


for Evelyn. and the rest of you. 
"Thank you our dear LORD that you do give us those windows!"


MALE and FEMALE begin a very simple modern dance in white. He appears to give her motion. They are eternal and beautiful. It is not a sensual dance, and yet it is stirring and intimate.
Another WOMAN, looking much like the female dancer, is standing upstage. As she begins to move downstage she occasionally speaks while she pantomimes trying to open the (imaginary) doors in front of her. She can’t. They are locked or blocked. As she encounters these closed doors, she moves to the side and mimes going through open windows, this happens a few times until she has traveled all the way downstage.

Four groups of PEOPLEare standing on the downstage side of these imaginary doors. They are the ones who are blocking them, or keeping them shut. One or two does it intentionally, but the others don’t seem to be aware of the frustration they are causing.

WOMAN
I always knew that my passion and creativity came from outside myself. Somewhere deeper. Higher. Wider. It was like a wellspring that I couldn’t take credit for. Life is hard. You learn that pretty quickly. And having this passion, and creating, brought light. Lightness. Sharing it with others somehow helped lighten the burden. I loved sharing…when I could.

Lord knows I tried.

I came to accept that it wasn’t really practical. Like food for the hungry. Or education. Or maintenance. Or building …tangible, measurable appropriate.

Which I did. And he helped me find windows because doors were closed.

Because this. This was when I felt his pleasure. And sensed my purpose.

As the WOMAN proceeds downstage, the PEOPLE as door blockers, move to the edges of the dance area. They are in a semi-circle. Their eyes are closed, or their backs are turned to the dancers. She nearly to the edge of the stage.

And life, it turned out, was short.

The WOMAN kneels down, temporarily wounded and the dancers movements are the same. She takes off her burden to reveal she is dressed like the dancer. As the male dancer assists the female up, the woman also similarly rises. The dance continues. She takes her time.

In eternity we’ll make up for opportunities that were lost.

The dance intensifies in its difficulty and beauty and the characters along the sides begin to watch the dancing in obvious amazement.

PEOPLE: (Lines overlaid.)
What were we thinking?                              What were we thinking??  
       
How could we not have valued?                     This contribution.

Such a testament.          Beautiful.          How could we have missed?

The Living Word.  Is there…   Here…in this… 

And we didn’t let him speak.

The dance it turns out is infinite, and the people join in. Awkwardly at first, and the dance turns jubilant. The lights fade to black as the WOMAN exits through the center aisle, not only consoled, but also finally and eternally fulfilled in sharing her gift and her joy.

Speaking with Journalists: What informs my art...



A few months a I was having dinner with a visual artist. How does one talk about their strong faith with a most probably godless journalist? I had fun writing a little monologue for her afterward.

When Donna is questioned about what informs or inspires her art...here's what I picture sweet Donna saying:

Can I be honest without you getting offended? You see it's easier for me to not really answer. to be vague. It's ...safer.

No matter what one's religion, The world sees artists as prophets that speak to the soul. Don't you think that humankind, no matter what one's spiritual inclinations are, sees artists as somewhat prophetic? Of course you do.

Yes, but some kinds of Spirituality is acceptable, and others ...can make an artist an instant paraiah. 
Religious subjects like The Kama sutra on sanskrit on any surface is fascinating or...or...[other examples]  

Then, you have my, Donna's, virgins in a botanic garden...and they perhaps spark curiosity and hopefully respect.  
That is, as long as I talk about my themes in broad sweeping general stokes. 
What if I admitted to you that the Virgjn Mary in those intricately cut gardens are rife with specific meaning for me about promise and hope, and submission and even virginity? Oh dear.
No. I fear you will not be truly tolerant. 
Not tolerant toward a "serious artist" who takes Jesus for who he claimed to be, or who also believes in a perfect, holy, just and magnificent God who can be known and experienced in a personal way. 
Are you bristling yet? 
Are you already trying in your mind to figure out how you'll reframe my answer in your article? 
If not, If you can take it; then here you go: 
(Even if it means career suicide to admit that.)"

[Then don't directly answer the question. change the subject, ask another question first]For better or worse, we sense that art speaks on a different plane. in in both the making and the viewing...art engages our soul...or whatever you want to call that part of us that is inside and is more than our brain because it stirs up something transcendent. Don't you think?[wait..wait]what 'informs my work' is an unshakable confidence in a knowable God and his great love and justice and mercy. Because of his worthiness, I approach my art as I do everything in life: I try to submit my will to his will, however he wants to work in and inspire me, my work and my life. Then I asked my husband James' advice. He is infinitely wiser than I am. (I didn't tell him specifics of our conversation, but his first comment was something like, "Donna's a smart capable and articulate woman. She probably has this more figured out than most!")

With anyone in media who might twist your words, don't use labels to describe yourself. Labels let others define what the label means. avoid using the word "Christian." 
"Art is deeply spiritual, and my spirituality is important to me. I pray for inspiration and I feel God leading me in how I move forward." (What you probably already say!!)
On Morality specifically: "Every system of belief had their own standard of what's right and wrong. So, I also let the God of the Bible shape my moral opinions more than society. Sometimes that puts me in an awkward dissonance with popular opinion and the lifestyles of my colleagues."
Try and create as winsome a reply as you can without compromise. 

February 07, 2013

Sacred Pathways & 8 Women: How did this get started?