Here's a good list of games for youth...
I want to scour thru it and pick which ones would work across cultures...
http://www.thesource4ym.com/games/default.aspx?Search=Anywhere
In an unusual niche combo: Jesus and Theatre have been my 2 lifetime passions. Here's where I've journaled the adventure.
July 09, 2013
June 30, 2013
Outreach in June 2013
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June 23, 2013
play!werks Camp [Super] Hero starts tomorrow!
A new company gets off the ground tomorrow morning as we launch the pilot camp for play!werks a company my friend Yvonne Tay conceived and has invited me to help with.
An experiment with how can we bring a good experience with imaginative play, a quality 1/2 day weeklong camp experience for lower primary kids, satisfy parents, and be unapologetically coming from a Christian worldview as we teach values we believe were given us by our creator.
Our theme song SUPER HERO by Snazzy is one of many ways we're pointing arrows to a Saviour who is our ultimate Super Hero.
An experiment with how can we bring a good experience with imaginative play, a quality 1/2 day weeklong camp experience for lower primary kids, satisfy parents, and be unapologetically coming from a Christian worldview as we teach values we believe were given us by our creator.
Our theme song SUPER HERO by Snazzy is one of many ways we're pointing arrows to a Saviour who is our ultimate Super Hero.
*SPOILER ALERT* Mom's Limericks Summer Movie Reviews
My son Cameron is being required (by his parents) to write a short review on every movie he watches. I said I'd join him by trying to write some movie reviews of my own...
Young Kirk's fatal flaw's non-compliance.
Cocky, above the rules, self reliant.
But despite shades of grey
He still saves the day
Does corruption justify his defiance?
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Jack's vigilant watch from the sky
Was or future earth's water supply
But he left his own zone
And discovered his clone
Proving all he believed was a lie.
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It's a Fitzgerald tale of white trash
Who threw parties excessesive, a blast!
It was for an old flame.
Then he died taking the blame.
What he gets for drink driving too fast.
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June 17, 2013
Planning Drama Cross Culturally
VillageDrama.J.6778
List of questions for host/sponsor in another country where you are going to work with translators to teach drama skills:
List of questions for host/sponsor in another country where you are going to work with translators to teach drama skills:
1. Number of students we'll work with (Can this number be broken down to how many primary school aged, teenagers, adults?).
2. Can we have some of the students from the training sessions perform drama/sharing in the church on the weekend (rather than us perform using a translator?)
3. Have they had any training before, or done any drama as part of their ministry (this will help us know what to teach, AND is it possible for them to do something for us on our first morning to help us get to know them and their ability better before we start? (The host asked the students to share their testimony in a creative/dramatic style which was very helpful to see them and get to know them right away)
4. Please give us an indication if the students will be outgoing to try improvisational games from the beginning, or will we need to spend a few hours (days??) warming them up and drawing them out/ helping them get comfortable being expressive and playing?
5. What have they recently been being taught in discipleship/Bible study that has made an impact on the group? [this helped us decide on a text and topics for improv]
6. Are there any Bible stories or teachings about Christianity that are particularly challenging to the Cambodian mindset? (what do preachers like to preach on alot?)
7. With time short and LOADS of books and articles available, Advise about what to read to prepare us best in understanding culture and our students' backgrounds.
2. Can we have some of the students from the training sessions perform drama/sharing in the church on the weekend (rather than us perform using a translator?)
3. Have they had any training before, or done any drama as part of their ministry (this will help us know what to teach, AND is it possible for them to do something for us on our first morning to help us get to know them and their ability better before we start? (The host asked the students to share their testimony in a creative/dramatic style which was very helpful to see them and get to know them right away)
4. Please give us an indication if the students will be outgoing to try improvisational games from the beginning, or will we need to spend a few hours (days??) warming them up and drawing them out/ helping them get comfortable being expressive and playing?
5. What have they recently been being taught in discipleship/Bible study that has made an impact on the group? [this helped us decide on a text and topics for improv]
6. Are there any Bible stories or teachings about Christianity that are particularly challenging to the Cambodian mindset? (what do preachers like to preach on alot?)
7. With time short and LOADS of books and articles available, Advise about what to read to prepare us best in understanding culture and our students' backgrounds.
February 16, 2013
CONSOLATION: a dance drama for artists who want to serve their church
for Evelyn. and the rest of you.
"Thank you our dear LORD that you do give us those windows!"
A MALE and FEMALE begin a very simple modern dance in white. He appears to give her motion. They are eternal and beautiful. It is not a sensual dance, and yet it is stirring and intimate.
Another WOMAN, looking much like the female dancer, is standing upstage. As she begins to move downstage she occasionally speaks while she pantomimes trying to open the (imaginary) doors in front of her. She can’t. They are locked or blocked. As she encounters these closed doors, she moves to the side and mimes going through open windows, this happens a few times until she has traveled all the way downstage.
Four groups of PEOPLE, are standing on the downstage side of these imaginary doors. They are the ones who are blocking them, or keeping them shut. One or two does it intentionally, but the others don’t seem to be aware of the frustration they are causing.
WOMAN
I always knew that my passion and creativity came from outside myself. Somewhere deeper. Higher. Wider. It was like a wellspring that I couldn’t take credit for. Life is hard. You learn that pretty quickly. And having this passion, and creating, brought light. Lightness. Sharing it with others somehow helped lighten the burden. I loved sharing…when I could.
Lord knows I tried.
I came to accept that it wasn’t really practical. Like food for the hungry. Or education. Or maintenance. Or building …tangible, measurable appropriate.
Which I did. And he helped me find windows because doors were closed.
Because this. This was when I felt his pleasure. And sensed my purpose.
As the WOMAN proceeds downstage, the PEOPLE as door blockers, move to the edges of the dance area. They are in a semi-circle. Their eyes are closed, or their backs are turned to the dancers. She nearly to the edge of the stage.
And life, it turned out, was short.
The WOMAN kneels down, temporarily wounded and the dancers movements are the same. She takes off her burden to reveal she is dressed like the dancer. As the male dancer assists the female up, the woman also similarly rises. The dance continues. She takes her time.
In eternity we’ll make up for opportunities that were lost.
The dance intensifies in its difficulty and beauty and the characters along the sides begin to watch the dancing in obvious amazement.
PEOPLE: (Lines overlaid.)
What were we thinking? What were we thinking??
How could we not have valued? This contribution.
Such a testament. Beautiful. How could we have missed?
The Living Word. Is there… Here…in this…
And we didn’t let him speak.
The dance it turns out is infinite, and the people join in. Awkwardly at first, and the dance turns jubilant. The lights fade to black as the WOMAN exits through the center aisle, not only consoled, but also finally and eternally fulfilled in sharing her gift and her joy.
Speaking with Journalists: What informs my art...
A few
months a I was having dinner with a visual artist. How does one talk about
their strong faith with a most probably godless journalist? I had fun writing a
little monologue for her afterward.
When Donna is questioned about what informs or inspires her art...here's what I picture sweet Donna saying:
Can I be honest without you getting offended? You see it's easier for me to not really answer. to be vague. It's ...safer.
When Donna is questioned about what informs or inspires her art...here's what I picture sweet Donna saying:
Can I be honest without you getting offended? You see it's easier for me to not really answer. to be vague. It's ...safer.
No matter what one's religion, The world sees artists as
prophets that speak to the soul. Don't you think that humankind, no matter what
one's spiritual inclinations are, sees artists as somewhat prophetic? Of course
you do.
Yes, but some kinds of Spirituality is acceptable, and others
...can make an artist an instant paraiah.
Religious subjects like The Kama sutra on sanskrit on any
surface is fascinating or...or...[other examples]
Then, you have my, Donna's, virgins in a botanic garden...and
they perhaps spark curiosity and hopefully respect.
That is, as long as I talk about my themes in broad sweeping
general stokes.
What if I admitted to you that the Virgjn Mary in those
intricately cut gardens are rife with specific meaning for me about promise and
hope, and submission and even virginity? Oh dear.
No. I fear you will not be truly tolerant.
Not tolerant toward a "serious artist" who takes Jesus
for who he claimed to be, or who also believes in a perfect, holy, just and
magnificent God who can be known and experienced in a personal way.
Are you bristling yet?
Are you already trying in your mind to figure out how you'll
reframe my answer in your article?
If not, If you can take it; then here you go:
(Even if it means career suicide to admit that.)"
[Then don't directly answer the question. change the subject, ask another question first] For better or worse, we sense that art speaks on a different plane. in in both the making and the viewing...art engages our soul...or whatever you want to call that part of us that is inside and is more than our brain because it stirs up something transcendent. Don't you think? [wait..wait] what 'informs my work' is an unshakable confidence in a knowable God and his great love and justice and mercy. Because of his worthiness, I approach my art as I do everything in life: I try to submit my will to his will, however he wants to work in and inspire me, my work and my life. Then I asked my husband James' advice. He is infinitely wiser than I am. (I didn't tell him specifics of our conversation, but his first comment was something like, "Donna's a smart capable and articulate woman. She probably has this more figured out than most!")
With
anyone in media who might twist your words, don't use labels to describe
yourself. Labels let others define what the label means. avoid using the
word "Christian."
"Art is deeply spiritual, and my spirituality is important
to me. I pray for inspiration and I feel God leading me in how I move
forward." (What you probably already say!!)
On
Morality specifically: "Every system of
belief had their own standard of what's right and wrong. So, I also let the God
of the Bible shape my moral opinions more than society. Sometimes that puts me
in an awkward dissonance with popular opinion and the lifestyles of my
colleagues."
Try and
create as winsome a reply as you can without compromise.
February 07, 2013
Sacred Pathways & 8 Women: How did this get started?
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January 21, 2013
On the Movie: Les Miserables
I'm still ruminating over the movie version of Claude-Michel Schönberg's LES MISERABLES. I saw it this afternoon.
I sat next to my mother-in-law who was seeing it for the first time and she wept through most of the 2 hours and 40 minutes. She was undone.
I was reminded for the first time in a long while how much this story and these songs have shaped my life values and convictions. While we are living on this earth, the victims of temporal suffering and evil need hope that this isn't all there is.
"Will you join in our crusade? Who will be strong and stand with me? Somewhere beyond the barricade is there a world you long to see?"
I told my 16 year old, who was thumbs down after the credits had begun to roll, that "this movie is a big reason why I chose a career of volunteer service in Christian ministry." (I also told him, as he complained about it just being 'wrong' that his favorite action actors were singing through an entire movie, to not say another word. Well, actually, I think what I really said was, "Shut up and stop proving how small minded and shallow you still are.")
That Bishop welcomed the homeless to his table. The Bishop made his generous offer of the silver candlesticks and told the thief "I have bought your soul for God." Jean Valjean, the thief wrestles with how to continue in his stone hearted life.
The heart of anger born of despair chooses the hope of God's ability to make him a better man.
I want to be that Bishop.
To be generous in forgiveness. To offer hope. To speak genuine positivity that breeds courage. Even in the face of hardness and opposition. I want to stand firm in my belief that affirming and serving others is a costly but worthwhile way to invest my life.
Even when it's toward my 16 year old who dares to mock such inspiration.
I was reminded for the first time in a long while how much this story and these songs have shaped my life values and convictions. While we are living on this earth, the victims of temporal suffering and evil need hope that this isn't all there is.
"Will you join in our crusade? Who will be strong and stand with me? Somewhere beyond the barricade is there a world you long to see?"
I told my 16 year old, who was thumbs down after the credits had begun to roll, that "this movie is a big reason why I chose a career of volunteer service in Christian ministry." (I also told him, as he complained about it just being 'wrong' that his favorite action actors were singing through an entire movie, to not say another word. Well, actually, I think what I really said was, "Shut up and stop proving how small minded and shallow you still are.")
That Bishop welcomed the homeless to his table. The Bishop made his generous offer of the silver candlesticks and told the thief "I have bought your soul for God." Jean Valjean, the thief wrestles with how to continue in his stone hearted life.
The heart of anger born of despair chooses the hope of God's ability to make him a better man.
I want to be that Bishop.
To be generous in forgiveness. To offer hope. To speak genuine positivity that breeds courage. Even in the face of hardness and opposition. I want to stand firm in my belief that affirming and serving others is a costly but worthwhile way to invest my life.
Even when it's toward my 16 year old who dares to mock such inspiration.
Something New for the Creatives in Singapore
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